All the oil paintings of Salvator Rosa

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ID	Image	Painting(From A to Z)	Details
20580		A Herois Battle (mk05)	Canvas,84 1/4 x 138 1/4''(214 x 351 cm)Commissioned by the Papal Nuncio Monseigneur Corsini in 1652 in homage to Louis XIV Presented and added to the collection in 1664
29319		A Man	mk65 1640s Oil on canvas 31x25 1/2"
51277		Anchorites Tempted by Demons	1660-65 Oil on canvas 65 x 83 cm
39629		Astraea Leaving the earth	mk150 c.1660/65 Canvas 267.3x169.5cm
31010		Bataille heroique	mk70 Toile H.2.14 L.3.51 Paris.Musee du Louvre
29078		Democritus and Protagoras	mk65 1650s Oil on canvas,transferred from panel 73x50"
33586		Democritus in Meditation	mk86 c.1650 Oil on canvas 344x214cm Copenhagen,StatensMuseum of Kunst
21544		Democritus in Meditation (mk08)	c.1650 Oil on canvas. 344x214cm Copenhagen,Statens Museum for Kunst
91900		Heraklit und Demokrit	um 1645/1649 Medium oil on canvas 7 cm x 116 cm cjr
76349		Jacob Dream	Jacob's Dream, oil on canvas painting by Salvator Rosa, c. 1665 cjr
78194		Jacob s Dream	oil on canvas painting by Salvator Rosa, c. 1665 Date c. 1665 Source ArtDaily.com cyf
3571		Jason Charming the Dragon	Montreal Museum of Fine Arts
80955		Jason Charming the Dragon	oil on canvas painting by Salvator Rosa, about 1665-1670, The Montreal Museum of Fine Arts Date about 1665-1670 Source Artdaily.org cyf
77704		Jason Charming the Dragon,	Jason Charming the Dragon, oil on canvas painting by Salvator Rosa, about 1665-1670, The Montreal Museum of Fine Arts cjr
66708		L ombre de Samuel apparaissant a Saul chez la pythonisse d Endor.	273 ?? 193 cm (107.48 ?? 75.98 in) Oil on canvas 1668
98307		Landscape with Tobit and the angel	oil on canvas, circa 1670. Accession number 181 cyf
58167		Lies	mk261 canvas painting, Florence, Palatina Gallery, Pitti Palace.
29079		Odysseus and Nausicaa	mk65 1650s Oil on canvas transferred from panel 76 1/2x56 1/2"
41014		Portrait of a man	mk159 1640s Oil on canvas 78x64.5cm
83683		portrait Wolfang Amadeus Mozart	Date January 1770 cyf
69554		Pythagoras Emerging from the Underworld	oil on canvas painting by Salvator Rosa
28990		Seascape at Sunset	mk65 Oil on canvas 91 3/4x157 1/16in Pitti,Palatine Gallery
30007		Seascape with Towers	mk67 Oil on canvas 40 3/16x50in Pitti,Palatine Gallery
43099		Self portrait	mk170 circa 1645 Oil on canvas 116.3x94cm
3573		Self Portrait vvv	Metropolitan Museum of Art, New York
3574		Self Portrait vvv	Metropolitan Museum of Art, New York
56074		self portrait as a philosopher	mk247 c.1645,oil on canvas,45x37 in,116.3x94 cm,national gallery,london,uk
3572		Self Portrait bbb
92838		Self-portrait	Oil on canvas, 1163 x 940mm (45 3/4 x 37"). c.1645 cjr
23467		self-Portrait (nn03)	c 1640 Oil on canvas 116 x 94 cm 45 3/4 x 37 in National Gallery London
28122		The Gulf of Salerno	mk61 1640-1645 Oil on canvas 170x260cm
28989		The Lie	mk65 Oil on canvas 53 9/16x37 13/16in Pitti,Palatine Gallery
28988		The Ruined Bridge	mk65 Oil on canvas 77 3/16x50in Pitti,Palatine Gallery
20579		The Spirit of Samuel Called up before Saul by the Witch of Endor (mk05)	1668 Canvas,107 1/2 x 76''(273 x 193 cm)Entered the collection of Louis XIV before 1693 INV
81782		Wolfang Amadeus Mozart	January 1770(1770-01) Medium Oil on canvas cyf

Salvator Rosa
1615-1673 Italian Salvator Rosa Galleries Salvatore Rosa (1615 - March 15, 1673) was an Italian Baroque painter, poet and printmaker, active in Naples, Rome and Florence. As a painter, he is best known as an "unorthodox and extravagant" and a "perpetual rebel" proto-Romantic. His life and writings were equally colorful. He continued apprenticeship with Falcone, helping him complete his battlepiece canvases. In that studio, it is said that Lanfranco took notice of his work, and advised him to relocate to Rome, where he stayed from 1634-6. Returning to Naples, he began painting haunting landscapes, overgrown with vegetation, or jagged beaches, mountains, and caves. Rosa was among the first to paint "romantic" landscapes, with a special turn for scenes of picturesque often turbulent and rugged scenes peopled with shepherds, brigands, seamen, soldiers. These early landscapes were sold cheaply through private dealers. This class of paintings peculiarly suited him. He returned to Rome in 1638-39, where he was housed by Cardinal Francesco Maria Brancaccio, bishop of Viterbo. For the Chiesa Santa Maria della Morte in Viterbo, Rosa painted his first and one of his few altarpieces with an Incredulity of Thomas. While Rosa had a facile genius at painting, he pursued a wide variety of arts: music, poetry, writing, etching, and acting. In Rome, he befriended Pietro Testa and Claude Lorraine. During a Roman carnival play he wrote and acted in a masque, in which his character bustled about Rome distributing satirical prescriptions for diseases of the body and more particularly of the mind. In costume, he inveighed against the farcical comedies acted in the Trastevere under the direction of Bernini. While his plays were successful, this also gained him powerful enemies among patrons and artists, including Bernini himself, in Rome. By late 1639, he had had to relocate to Florence, where he stayed for 8 years. He had been in part, invited by a Cardinal Giancarlo de Medici. Once there, Rosa sponsored a combination of studio and salon of poets, playwrights, and painters --the so called Accademia dei Percossi ("Academy of the Stricken"). To the rigid art milieu of Florence, he introduced his canvases of wild landscapes; while influential, he gathered few true pupils. Another painter poet, Lorenzo Lippi, shared with Rosa the hospitality of the cardinal and the same circle of friends. Lippi encouraged him to proceed with the poem Il Malmantile Racquistato. He was well acquainted also with Ugo and Giulio Maffei, and housed with them in Volterra, where he wrote four satires Music, Poetry, Painting and War. About the same time he painted his own portrait, now in the National Gallery, London.